{"id":1023,"date":"2020-02-12T20:16:23","date_gmt":"2020-02-13T01:16:23","guid":{"rendered":"https:\/\/pappost.com\/?p=1023"},"modified":"2020-02-13T10:29:13","modified_gmt":"2020-02-13T15:29:13","slug":"melani-ou-le-pari-dun-nouveau-souffle-pour-le-cinema-haitien","status":"publish","type":"post","link":"https:\/\/pappost.com\/index.php\/2020\/02\/12\/melani-ou-le-pari-dun-nouveau-souffle-pour-le-cinema-haitien\/","title":{"rendered":"Melani ou le pari d\u2019un nouveau souffle pour le cin\u00e9ma ha\u00eftien"},"content":{"rendered":"\n

Par Bota Wany P. Joseph<\/em><\/p>\n\n\n\n

Alors que le cin\u00e9ma n\u2019est plus ce qu\u2019il \u00e9tait il y a plus de dix ans en Ha\u00efti, John Fritz Moreau et Camille Mo\u00efse sont d\u00e9sormais du nombre de ceux qui essayent de faire rena\u00eetre le septi\u00e8me art. Ils se proposent d\u2019offrir au public, pour la Saint-Valentin, Melani, une s\u00e9rie t\u00e9l\u00e9vis\u00e9e de 40 \u00e9pisodes, dont la sortie du premier num\u00e9ro se tiendra au Palais municipal de Delmas, ce vendredi 14 f\u00e9vrier, \u00e0 partir de 6 heures pm. John Fritz Moreau et Camille Mo\u00efse veulent tenir le pari, \u00e0 contre-courant des oiseaux de mauvais augure.<\/p>\n\n\n\n

\"\"
De gauche \u00e0 droite, le r\u00e9alisateur Camille Mo\u00efse et le producteur John Fritz Moreau<\/figcaption><\/figure><\/div>\n\n\n\n

\u00ab La s\u00e9rie met en lumi\u00e8re l\u2019histoire de deux femmes, une m\u00e8re et sa fille (K\u00e8k\u00e8te et Melani), qui luttent, sans beaucoup de moyens, pour r\u00e9aliser un r\u00eave commun : celui de s\u2019installer dans la capitale et de faire entreprendre \u00e0 Melani des \u00e9tudes universitaires. Entre difficult\u00e9s financi\u00e8res et probl\u00e8mes de sant\u00e9, K\u00e8k\u00e8te et Melani vont devoir surmonter toute une s\u00e9rie d\u2019obstacles pour enfin se r\u00e9v\u00e9ler plus fortes, apr\u00e8s tout \u00bb, \u00e9crivent les deux comp\u00e8res, dans le synopsis du feuilleton, dont copie a \u00e9t\u00e9 distribu\u00e9e \u00e0 la presse.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Une histoire, certes courante dans la vie de tous les jours, mais qui vaut le d\u00e9tour, un d\u00e9placement au Palais municipal de Delmas, du moins pour aller encourager cette \u0153uvre cin\u00e9matographique dans une industrie en d\u00e9bandade depuis des ann\u00e9es. L\u2019id\u00e9e est du PDG de Juno7, le premier \u00e0 avoir su exploiter les technologies de l\u2019information et des communications pour informer les gens de l\u2019arri\u00e8re-pays. Il est le producteur du feuilleton. Camille Mo\u00efse, qui se passe de pr\u00e9sentation, en est le r\u00e9alisateur. \u00ab Le public ne sera pas de\u00e7u \u00bb, disent les deux complices.<\/p>\n\n\n\n

\u00ab J\u2019ai d\u00e9velopp\u00e9 une passion pour le cin\u00e9ma quand j\u2019\u00e9tais en septi\u00e8me ann\u00e9e fondamentale. J\u2019ai une fois interpr\u00e9t\u00e9 \u00e0 l\u2019\u00e9cole le r\u00f4le de l\u2019agneau dans la fable de la Fontaine \u00bb, confie John Fritz Moreau, comme pour dire qu\u2019en produisant Melani, il sait \u00e0 quoi s\u2019y prendre. \u00ab Avec Melani, Fritz m\u2019a engag\u00e9 dans un combat citoyen sans m\u00eame le savoir. Ce groupe d\u2019acteurs passionn\u00e9s m\u2019a donn\u00e9 l\u2019envie de me donner \u00e0 fond \u00bb, rajoute, pour sa part, Camille Mo\u00efse, plus connu sous le nom de Kharm\u00e9liaud Mo\u00efse.<\/p>\n\n\n\n

Le premier num\u00e9ro de la s\u00e9rie t\u00e9l\u00e9vis\u00e9e (un projet de John Fritz Moreau, faut-il le rappeler) qui sera diffus\u00e9 ce vendredi ne d\u00e9passe pas une heure et 30 minutes. Cette grande premi\u00e8re, si l\u2019on en croit Fritz et Camille, est destin\u00e9e \u00e0 r\u00e9colter de l\u2019argent pour en financer la suite. Celle-ci est r\u00e9partie en 4 saisons. Vous n\u2019avez \u00e0 sortir pas plus que 1000 gourdes de votre escarcelle pour supporter les deux talents. Le cin\u00e9ma ha\u00eftien \u00e9tant languissant, chaque petite contribution est \u00e0 d\u00e9couvrir, \u00e0 appr\u00e9cier et, le cas \u00e9ch\u00e9ant, \u00e0 critiquer\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

Par Bota Wany P. Joseph Alors que le cin\u00e9ma n\u2019est plus ce qu\u2019il \u00e9tait il…<\/p>\n","protected":false},"author":1,"featured_media":1024,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[4],"tags":[76,40],"class_list":["post-1023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-cinema","tag-culture"],"yoast_head":"\nMelani ou le pari d\u2019un nouveau souffle pour le cin\u00e9ma ha\u00eftien - Port-au-Prince Post<\/title>\n<meta name=\"description\" content=\"Par Bota Wany P. 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